@hypit/audio-track

Audio Track is the plain sound-placement package:

Audio Clip = normalized audio source + absolute Window + sampling + mix
Audio Track = additive set of Audio Clips

Timeline supplies the program clock, not hidden audio. Each Clip names its own normalized source and destination Window. The Track publishes .program for declared tooling and .audio as an ordinary peer contribution to Film.

<time:Window id="reveal-hit-window" timeline={program.timeline}
  from={reveal} for="600ms"/>

<audio:Track id="mix" timeline={program.timeline}>
  <audio:Clip id="voice" source={speaker-media.media} during={program.speaker}/>
  <audio:Clip id="music" source={music-media.media} during={program.window}
    gain="0.18" fade-in="12f" fade-out="18f">
    <audio:Map target-at="end" source-at="end" rate="1"
      wrap-from="start" wrap-until="end"/>
  </audio:Clip>
  <audio:Clip id="reveal-hit" source={hit-media.media}
    during={reveal-hit-window} gain="0.45"/>
</audio:Track>

during consumes a resolved Window. Timeline authoring or a domain projector declares that value upstream; Audio Track neither constructs time ranges nor recognizes semantic, beat or other domains.

gain is a linear multiplier and fades default to zero. Omitting Map means bounded partial identity: target start maps to source start at native rate, and excess Window time is silent. One Map relates target and source intervals through an exact positive rate; wrap-from/wrap-until makes a selected source interval periodic. A Map without rate, anchors or wrap fits its source interval across its target interval while preserving pitch; optional min-rate/max-rate bounds make that fit fail instead of silently exceeding an authored safety range. Multiple non-overlapping Maps form one partial function, and gaps are silence.

Audio deliberately does not inherit visual-only laws such as a zero-rate held frame or reverse picture sampling. It owns positive, pitch-preserving tempo mapping in the same small algebraic shape, without placing an audiovisual policy in Core.

Speech, music, ambience and effects are equal Audio Clips. A source that helped determine Timeline duration or anchors leaves no special marker in the audio-placement path. Reusing one normalized source in two Clips creates two independent occurrences.

Audio Track has no generic Presentation, Style or Use. Ducking, crossfades, continuing speaker roles and other relationships spanning multiple Clips are ordinary components. They may calculate level automation—gain envelopes and audibility regions—and publish a normal terminal AudioTrack; the base package and Core do not acquire a catalogue of sound roles or effects.

Using synchronized media here does not make its picture visible. Author picture independently with @hypit/visual-track.

Distribution and Studio

Audio Track is an independently versioned official Author Package. The official Hypit video Distribution installs it by an ordinary npm dependency, while Source selects it explicitly with <import from="@hypit/audio-track@1" .../>. The package owns its Clip/Track authoring model, runtime facet and specialized Studio companion in one activation and one release lifecycle.

The terminal Composition.AudioTrack ABI remains owned by Composition rather than this package. Other components can therefore publish an AudioTrack without depending on Audio Track, and Studio's generic terminal fallback can still display those contributions. Package managers and ordinary lockfiles select the physical package version; Hypit does not add another version or installation mechanism.